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Short Creative and Cultural Courses for Business

Posted January 12th, 2012 in Courses, Events, Portfolio, Research by admin

The UWS Skillset Media Academy brings together all of our provisions in support of the creative media sector. The Academy operates between our campuses and a creative enterprise cluster in Glasgow, working with the CCA: Centre of Contemporary Arts, the Scottish Centre for Enabling Technologies, and Film City Glasgow. Through our presence in Glasgow’s Digital Media Quarter we are co-located with some of the largest media employers.

Wherever your ambitions lie, with a wide range of full and part time programmes, we offer the essential practical and academic skills necessary for a career in the creative industries.

Tailored courses can include:

- Cultural Leadership (can be studied as an MA module)

- Social Media 1 (beginner)

- Social Media 2 (advanced)

- Developing a Social Media Strategy for your Business

- Blogging for Business

- Writing for the Web

- Creating content for the web (film, podcasts, creative copy etc)

- Develop your business’s online brand

- Digital Photography

- Digital Film Making

- Film Editing

For more information or to book a free consulation about your business needs, contact the UWS Skillset Media Academy.

MashingUp: Art + Labour

Posted October 20th, 2010 in Events, Glasgow, Portfolio, Research by Graham Jeffery

9th November 2010, CCA Glasgow, 12.30 – 5.00pm

Art+Labour is a public conversation exploring the conditions and experiences of creative labour in the cultural industries – working conditions, pay, working hours; freedom and autonomy, pleasure and obligation; insecurity and uncertainty; social reproduction, networking and isolation – and artists’ organising within it – unions, artists’ associations, or self-organised studio/exhibition spaces. What diverse forms of employment do artists undertake? Who are their employees? How secure and how flexible are these forms of employment? What are the conditions of employment and how are these changing? What can we say of artists’ autonomy in relation to contemporary labour practices? How do cultural workers effectively organise around labour issues? What would it mean for artists to withdraw their labour in defence of conditions in one’s primary or secondary employment?

With successive governments’ emphasis on arts’ social function, how does communality express itself in competitive Creative Industries? What is industrial about the Creative Industries; where do ‘Cultural’ producers sit within the policy frame of the ‘Creative’ Industries? How do we as cultural producers recognise our own positions and dependency on/within/alongside the public sector? With the entrepreneurial restructuring of the arts in Scotland and in the face of selective public sector cuts throughout the UK, how constructive are artists’ isolated appeals for a state of exception? What is so unique about artists in the social factory? These are some of the questions to be addressed during this public conversation.

The discussion is open to anyone – cultural workers, artists, students, interns, precarious and self-organised labour affiliated to academia – concerned with issues of art, labour and economics. The event will begin with a series of short position statements from invited speakers followed by discussion among panelists and audience.

Panelists include:

Angela McRobbie Professor of Communications, Dept. of Media & Communications, Goldsmiths

Scottish Artists Union The representative voice for artists in Scotland

Graham Jeffery Reader: Music and Performance, rhe School of Creative and Cultural Industries, UWS

Katarzyna Kosmala Reader, Centre for Contemporary European Studies, UWS

Gesa Helms Researcher and artist

Brett Bloom Member of Chicago-based art collective Temporary Services who recently produced ‘Art Work : A national conversation about art, labour, and economics’

Owen Logan Researcher, School of Divinity, History and Philosophy, University of Aberdeen

Facilitated by Gordon Asher Effective Learning Tutor, UWS Centre for Academic & Professional Development

Event is free but ticketed, tickets available from CCA Box Office: CCA, 350 Sauchiehall Street, Glasgow G2 3JD tel : +44 (0)141 352 4900 http://www.cca-glasgow.com

“MASHING UP” : Art+Labour is organised by Leigh French, co-editor of Variant, and Sophie Hope, member of Making A Living, in co-operation with Graham Jeffery of the School of Creative and Cultural Industries, University of the West of Scotland, and supported by CCA, Glasgow.

“MASHING-UP…” A Public Lecture Series presented by UWS and CCA This ongoing lecture series stimulates critical, transdisciplinary research communities to discuss advanced knowledge and to build networks of excellence among producer communities. ‘Mashing up’ [definition] “a mashup is a web page or application that combines data or functionality from two or more external sources to create a new service. The term mashup implies easy, fast integration…to produce results that were not the original reason for producing the raw source data” (Wikipedia, 2009). The lecture series exhibits the values of new media culture to explore synergies between institutions, ideas and disciplines. This aspiration originates with the UWS and CCA partnership, which extends to the specific areas of inquiry that we pursue. It advances the core mission of each organization to initiate applied, international research opportunities through experimental, local dialogue to foster collaborative, bottom-up, sustainable practices of development. #mashingup We want attendees to blog, photograph, film, tweet and do all they can to share the content of these talks to democratize access to knowledge.

Blueprint for #london2012: #Media2012

Posted September 20th, 2010 in Events, Journalism, London2012, Portfolio, Research by Graham Jeffery

A proposal for the London 2012 Games, to assemble the social media people of the world and to create an open media environment, where culture, sport and local stories can be told across international zones. The proposal aspires to create an Underground Media Zone, which will link the United Kingdom in physical and virtual space. For more details, please read on….

The first public launch of the proposal will take place on October 4 at  the Abandon Normal Devices festival of digital culture in Manchester, an ‘inspired by 2012′ event, based in the Northwest of England. To book your place, please click here

This event is co-sponsored by the AND festival,  the London 2012 Creative Programmers network and the University of the West of Scotland. It forms part of the research and development activity for the WE PLAY 2012 EXPO in the North West, supported by funding from Legacy Trust UK.

The symposium will bring citizen journalists, artists, cultural producers and media from the Olympic Games of Beijing, Vancouver, London, Sochi and Rio. Discussions will focus on opportunities, strategy and vision, to create a publicly owned new media legacy for the Games and encourage UK independent media networks to discuss prospects within the context of an increasingly Digital Britain.

Sessions will consider the national and regional cultural legacies leading up to London 2012 and consider the intersections of art, science and the media. Speakers include London 2012 Creative Programmers, social media experts Kris Krug, Alexander Zolotarev from Russia, and Josi Paz from Brazil, and London 2012 Cultural Olympiad Director Ruth Mackenzie and an open unconference for delegates to make their pitch about what they would like to see reported during Games time and how they will contribute.

The day will close with the UK premiere of ‘With Glowing Hearts’, a feature film about the social media scene around the Vancouver 2010 Games.

If you like the plan, please tweet: Follow @andymiah Media Blueprint for London 2012 http://bit.ly/media2012 #media2012

Posthuman Lifestyles: The Inaugural lecture of Professor Andy Miah, University of the West of Scotland (23 March, 2010)

Posted March 23rd, 2010 in Events, Portfolio, Research by admin

The year 2010 marks the 10-year anniversary of two technological revolutions – the genetic and the digital. It is also one of the most prominent years projected as ‘the future’ in 20th century science fiction.

Professor Miah’s inaugural Professorial lecture will discuss his contribution to imagining the future and critiquing the present, by outlining the successes and failures of an emerging technological culture that marks the end of humanism.

Where + When: 23 March, 2010, 6pm (Arrivals), Centre for Contemporary Art, Glasgow.

to register, please contact: marketing@uws.ac.uk
bring:
laptops, mobiles, tweet enabled – hashtag #posthuman

Outline

Ten years ago, the first working draft of the human genome project was completed and promised to revolutionize our world. No longer would we be subject to the chance results of the genetic lottery, but could instead, look forward to limitless choices over how we look, behave, feel, and even create future generations.

In the same year, the dot-com bubble peaked and would soon give rise to its first crash. Out of it emerged the Web 2.0 era, a period of more responsible speculation, characterized by open source collaboration. Web 2.0 meant that some of the aspirations to destabilize traditional media forms, which were suggested in the first Internet era, could now be more effectively realized, as the power of user generating communities begun to topple the isolationism of media giants.

These two trajectories – the biological and the digital – have transformed our lives in profound ways and tell the story of how we became posthuman. However, the implications of the biotechnological and digital eras are only just beginning to crystallize and the cautionary tales that they have already generated about technological determinism and dependence need reiterating.

Join Professor Andy Miah for his inaugural lecture at the University of the West of Scotland, during which he will look back on how 21st century technology is revolutionizing our world and what this means for the lives we will lead in the future.

Tags: #bioethics #newmedia #olympic #genetics #digitaleconomy #sport


Background

Professor Andy Miah, age 34, studied at De Montfort University, England and spent the last year of his PhD in Barcelona. In 2002, he came to Scotland and worked at University of Abertay Dundee and as an Associate Lecturer at Glasgow University, before taking the position at UWS. Over the years, he has developed long term collaborations with world leading organizations, such as the world’s leading bioethics institute, the Hastings Center in New York. In 2005, he was made one of the Founding fellows of the Institute for Ethics and Emerging Technologies in the USA. In 2008, he was made the first Fellow of the Foundation for Art and Creative Technology in Liverpool, the UK’s leading centre for digital art. Professor Miah has given Master classes around the world including such institutions as the Royal College of Art, Harvard University, Oxford University, University of Geneva, among others.

In 2009, Professor Miah was appointed as Chair of Ethics and Emerging Technologies at UWS. Since being at the university, he has developed a wide range of subject areas, creating such courses as Becoming Posthuman, Cyberculture & Olympic Spectacle. Alongside his work on bioethics, he has written extensively about digital culture. Professor Miah’s research has investigated the ethical and cultural implications of technological change. He has contributed to a wide range of academic disciplines, publishing in as varied a range of journals as Nature, the Journal of Medical Ethics, Cultural Politics, the Journal of Evolution and Technology, and the Journal of Sport Science. He has served as an expert advisor in various international contexts, from the European Parliament’s inquiry into human enhancement, to the World Anti-Doping Agency’s early exploration of genetic doping. Professor Miah is an Editorial Board member for 6 international journals, consisting of Genomics, Society and Policy, Health Care Analysis, Studies in Ethics, Law and Technology, Second Nature: International Journal of Creative Media, International Journal of Technoethics.

He is also a scholar of the Olympic Movement and his controversial research on genetic doping, along with his studies of the media at 6 Olympic Games cities calls for a legacy that is socially responsible, accountable and, above all, culturally transformative.

In 8 years of postdoctoral research Professor Miah has appeared in over 150 news outlets around the world, including BBC’s Newsnight and Andrew Marr’s Start the Week. He has also written for broadsheet news outlets from the Washington Post and the Huffington Post, the leading USA liberal political blog. He is currently a columnist for the Guardian and has been featured in profile pieces within the Scotsman and The Times.

Professor Miah is the author/editor of 4 books, notably ‘Human Futures: Art in an Age of Uncertainty’ (2008), The Medicalization of Cyberspace (2008) and Genetically Modified Athletes (2004), the latter of which was recently translated by Phorte in Brazil, where the 2016 Olympic Games will take place. He is currently completing a book for The MIT Press titled ‘A Digital Olympics: Cybersport, Social Gaming and Citizen Media’ (2011).

The event isa open to the media.